Speigleman makes
many motifs apparent in the chapter, Time
Flies. The motif of animal masks is a demonstration of the phony sense of
empathy he feels from the men interviewing him. All they want to do is make
money off his story, but Art feels guilty. He does not want his story to blame
one person or be used as this extreme weapon, instead he intends for it to provide
insight onto what happened during the war. Although his story is portrayed in a
comic and may inaccurately represent the Holocaust to some people, it
also adds to the theme of something being superficial.
You can’t put the Holocaust into words and one person’s experience can be
extremely different than another’s; so, you will never know what is real.
The motif of
flies throughout this chapter represent little memories from the past that he
cannot escape from and he is being tortured with them around. The flies are
attracted to the pile of dead bodies that lay under him which can symbolize how
he still carries around the guilt of these people because he is keeping them “alive”
with his story. No matter where Art goes the flies and dead bodies will always
remain a part of life. The dead bodies still appear to be mice, and this
contrasts with dates of his relative’s deaths, Speigelman includes. He can
never fully comprehend what happened because one can’t explain how something
that horrific happens to real people.

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